The Hateful Eighty
Proving they don't know their own business, the Directors Guild of America has voted for a list of the 80 best-directed films of the last 80 years (the DGA was founded 80 years ago).
Here it is.
1. | The Godfather | Francis Ford Coppola | 1972 |
2. | Citizen Kane | Orson Welles | 1941 |
3. | Lawrence of Arabia | David Lean | 1962 |
4. | 2001: A Space Odyssey | Stanley Kubrick | 1968 |
5. | Casablanca | Michael Curtiz | 1942 |
6. | The Godfather: Part II | Francis Ford Coppola | 1974 |
7. | Apocalypse Now | Francis Ford Coppola | 1979 |
8. | Schindler’s List | Steven Spielberg | 1993 |
9. | Gone With the Wind | Victor Fleming | 1939 |
10. | Goodfellas | Martin Scorsese | 1990 |
11. | Chinatown | Roman Polanski | 1974 |
12. | The Wizard of Oz | Victor Fleming | 1939 |
13. | Raging Bull | Martin Scorsese | 1980 |
14. | Jaws | Steven Spielberg | 1975 |
15. | It’s a Wonderful Life | Frank Capra | 1946 |
16. | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | 1964 |
17. | The Shawshank Redemption | Frank Darabont | 1994 |
18. | The Graduate | Mike Nichols | 1967 |
19. | Star Wars: Episode IV — A New Hope | George Lucas | 1977 |
20. | Blade Runner | Ridley Scott | 1982 |
21. | On the Waterfront | Elia Kazan | 1954 |
22. | Pulp Fiction | Quentin Tarantino | 1994 |
23. | E.T. The Extra-Terrestrial | Steven Spielberg | 1982 |
24. | Annie Hall | Woody Allen | 1977 |
25. | Saving Private Ryan | Steven Spielberg | 1998 |
26. | Seven Samurai | Akira Kurosawa | 1954 |
27. | A Clockwork Orange | Stanley Kubrick | 1971 |
28. | Raiders of the Lost Ark | Steven Spielberg | 1981 |
29. | Vertigo | Alfred Hitchcock | 1958 |
30. | Sunset Boulevard | Billy Wilder | 1950 |
31. | To Kill A Mockingbird | Robert Mulligan | 1962 |
32. | Psycho | Alfred Hitchcock | 1960 |
33. | The Searchers | John Ford | 1956 |
34. | Forrest Gump | Robert Zemeckis | 1994 |
35. | Singin’ in the Rain | Stanley Donen, Gene Kelly | 1952 |
36. | 8 ½ | Federico Fellini | 1963 |
37. | The Third Man | Carol Reed | 1949 |
38. | The Best Years of Our Lives | William Wyler | 1946 |
39. | Rear Window | Alfred Hitchcock | 1954 |
40. | The Bridge on the River Kwai | David Lean | 1957 |
41. | North by Northwest | Alfred Hitchcock | 1959 |
42. | One Flew Over the Cuckoo’s Nest | Miloš Forman | 1975 |
43. | The Sound of Music | Robert Wise | 1965 |
44. | Taxi Driver | Martin Scorsese | 1976 |
45. | Titanic | James Cameron | 1997 |
46. | The Shining | Stanley Kubrick | 1980 |
47. | Amadeus | Miloš Forman | 1984 |
48. | Doctor Zhivago | David Lean | 1965 |
49. | West Side Story | Jerome Robbins, Robert Wise | 1961 |
50. | Some Like it Hot | Billy Wilder | 1959 |
51. | Ben-Hur | William Wyler | 1959 |
52. | Fargo | Ethan Coen, Joel Coen | 1996 |
53. | The Silence of the Lambs | Jonathan Demme | 1991 |
54. | The Apartment | Billy Wilder | 1960 |
55. | Avatar | James Cameron | 2009 |
56. | The Hurt Locker | Kathryn Bigelow | 2008 |
57. | The Treasure of the Sierra Madre | John Huston | 1948 |
58. | Birdman or (The Unexpected Virtue of Ignorance) | Alejandro G. Iñárritu | 2014 |
59. | All About Eve | Joseph L. Mankiewicz | 1950 |
60. | The Deer Hunter | Michael Cimino | 1978 |
61. | There Will Be Blood | Paul Thomas Anderson | 2007 |
62. | The Sting | George Roy Hill | 1973 |
63. | The Wild Bunch | Sam Peckinpah | 1969 |
64. | Alien | Ridley Scott | 1979 |
65. | Rocky | John G. Avildsen | 1976 |
66. | The Conformist | Bernardo Bertolucci | 1970 |
67. | Gandhi | Richard Attenborough | 1982 |
68. | The Bicycle Thief | Vittorio De Sica | 1948 |
69. | Cinema Paradiso | Giuseppe Tornatore | 1988 |
70. | Brazil | Terry Gilliam | 1985 |
71. | The Grapes of Wrath | John Ford | 1940 |
72. | All the President’s Men | Alan J. Pakula | 1976 |
73. | Barry Lyndon | Stanley Kubrick | 1975 |
74. | Touch of Evil | Orson Welles | 1958 |
75. | Once Upon a Time in America | Sergio Leone | 1984 |
76. | Unforgiven | Clint Eastwood | 1992 |
77. | The Usual Suspects | Bryan Singer | 1995 |
78. | Network | Sidney Lumet | 1976 |
79. | Rashomon | Akira Kurosawa | 1950 |
80. | Once Upon a Time in the West | Sergio Leone | 1968 |
Plenty of classics, but way too many big-name films that don't live up to their reputation, while many great directors get nothing. Let's look at a few highlights.
Already by #3 and #4, we're getting "director's films" that have long been overrated--Lawrence Of Arabia and 2001. Kubrick is the most overrepresented on the list--I can see Strangelove, but The Shining or Barry Lyndon? Even Clockwork Orange shouldn't be here.
Chronologically, the list is also screwed up--there isn't a single title before 1939, and precious few from major directors working in the mid-30s to mid-40s. There were plenty of greats from that era who didn't make it--Chaplin, Hawks, Lubitsch, McCarey, Cukor, Preston Sturges and so on. Why? To make room for Barry Lyndon?
There are some foreign films, but too few to justify their inclusion--either the list should be a third or more foreign titles, or they should have been kept out of the voting. There are a few Japanese and Italian films, but that's it. No Renoir or Truffaut, no Bergman, no Bunuel, no Ozu, no Antonioni.
When it comes to more modern Hollywood names, the lacunae are shocking. Where's Robert Altman? Terrence Malick? David Lynch? Fine, have some Spielberg and Scorsese, but leave room for their contemporaries.
So many of these titles have been coasting on unearned prominence for years that I thought maybe the DGA would see through them, but no. In fact, I'd toss more than half the list. Which ones? In addition to those already mentioned, here are some I'd cut before even worrying about what should make it. (I should actually make two lists--good films but not good enough for this list, and films that are just bad--so I apologize in advance for mixing them up):
Raging Bull, The Shawshank Redemption, Blade Runner, Vertigo (I don't care if some think it's the greatest film of all time), To Kill A Mockingbird, The Searchers, Forrest Gump, 8 1/2, The Third Man, Bridge On The River Kwai (Alec Guinness isn't in most of it), One Flew Over The Cuckoo's Next, The Sound Of Music, Titanic, Amadeus, Doctor Zhivago, West Side Story (how is this a director's film?--they fired the first director and let Robert Wise finish it with pedestrian polish), Ben-Hur (I've never been able to make it all the way through), Fargo, The Silence Of The Lambs, Avatar, The Hurt Locker, The Treasure Of The Sierra Madre, Birdman, All About Eve, The Deer Hunter, There Will Be Blood, The Wild Bunch, Alien, The Conformist, Gandhi, Cinema Paradiso, Brazil (sorry, Terry), The Grapes Of Wrath, All The President's Men, Once Upon A Time In America, Unforgiven, The Usual Suspect, Network.
How about a do-over?
4 Comments:
Is there a difference between "best films" and "best directed films"
Is the 2d list just for the "ooh... look at the camera angles" crowd.
If I am aware of the director while watching, then, while it still might be good , the film has dug itself a hole that it has to dig out of
I would assume a well-directed film better be a good film, or what's the point. That said, you can have good films where you feel the director didn't add much--but then, that's the proper way to direct such a film.
No Christopher Nolan? I'm no expert, but for intricacy and complexity in story telling, he has some of the greatest accomplishments on film. I do see Inarritu in there for Birdman, but I wonder if they will remember this film in 10 years on the list of the top 90 director-films?
No Peter Jackson? Regardless of whether you think fantasy/adventure films are worthy endeavors, in that genre I don't think any director has worked harder and presented a more coherent series of films than Jackson. Certainly better than Star Wars as a series. I would say that perhaps Empire Strikes Back reaches the level of accomplishment of any of the Lord of the Rings films.
Are Cameron's Titanic and Avatar in there for any reason other than how much money they made? Does the Director get credit for fabulous special effects?
I think it's hard to compare directors known for different genre's of film. How do you compare Woody Allen to Sam Peckinpah, other than to say each had great accomplishments in their particular genre.
Nolan has done some good work, but I don't think anything good enough to make the top 80 of the last 80 years.
I liked some of Peter Jackson's films, but then he made those awful Lord Of The Ring films and I haven't liked anything he's done since. I'd rather see any of the Star Wars films.
Cameron is one of the best action directors around, and perhaps one of his films should have made it--just not the stuff that did.
What may be harder than comparing different genre directors is knowing how much the director contributed to any particular film, compared to others, like the writer, producer or DP.
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