Movies, Morality And Money
Curious article in The Hollywood Reporter on the "Movieguide Faith and Value Awards." A bunch of Hollywood people met last week to honor films that "promote Judeo-Christian ethics." The big winners were The Chronicles of Narnia: The Voyage of the Dawn Treader, Toy Story 3, Secretariat and Mao's Last Dancer.
Since they do nothing but give awards out here, there's no reason this group shouldn't get in on it. But they also claim it's good box office:
Movies with pro-atheism messages in 2010, for example, earned an average $6.6 million while movies portraying "very strong Biblical morality" earned $78 million. Movies with lots of profanity earned $23 million and movies without profanity earned $50 million. Movies with messages advocating a "Christian" worldview earned $105 million and those advocating "miscellaneous morality" earned $10 million, according to the study.
First question--what movies with pro-atheism messages? I don't recall a single one last year, so I'd love to see their list.
Anyway, this sort of analysis is weak. In general, yes, people have always preferred movies with heroes who do the right thing. But is that what they mean by "Biblical morality"? The top five films last year were Toy Story 3, Alice In Wonderland, Iron Man 2, The Twilight Saga: Eclipse and Harry Potter And The Deathly Hallows Part 1. So I guess Biblical morality means witchcraft, vampires, werewolfs, crazy people, toys coming alive and iconoclastic billionaires.
As for profanity, once again, it's true that some are turned off by swearing, but there's also some self-selection here. If you swear more than a few times (as the makers of The King's Speech have discovered), you get an R-rating. This artificially limits your audience, and makes producers who are behind big-budgets films that require huge grosses usually see to it their films don't have a lot of profanity. Meanwhile, lower-budget films, and artier films with adult themes, which are far less likely to make more money to begin with, can swear as much as they like.
As for "Christian" versus "miscellaneous" morality, I wish they'd give some examples. I honestly don't know what they're referring to. Explicitly "Christian" films rarely do that well at the box office. In fact, once you get past The Passion Of The Christ and The Chronicles Of Narnia series (which I'll call Christian--and note the latest has performed disappointingly), there aren't any Christian films in the past few decades that could be called major hits.
If you look at the charts, the clearest message is probably to make cartoons. The other is make visually strong films if you want them to do well overseas. I liked the Movieguide award-winning Secretariat, but it only made half as much as a film that cost half as much to make--Jackass 3-D. So it takes all kinds. By all means, if you want to make money, employ conventional morality, but people who think they've found a formula can easily lose their shirts. The only real formula is good storytelling, hopefully on a project you're passionate about.
7 Comments:
Are you sure that's the line you want to end that post with? "The only real formula is good storytelling"?
Just askin', and just guessin', wouldn't it be more accurate to say the only real formula is to go with a sequel to a surprise money maker?
Not so oddly, it just occurs to me that we saw Just Go With It, which I swear to God was ad libbed through the first two thirds before it fell into the Sandler Method. I'm referring to my having forgotten it entirely over the course of three days. Doubtless a psychological self-preservation mechanism.
There are a lot of factors that can make a hit--stars, properties, etc. But you generally don't get a hit (and the sequels that follow) unless you get good word of mouth, and that generally comes from a compelling story.
Sure. I'll give you that.
I'm just suggesting that applying the same fairminded analysis would lead you to the same point: Good storytelling is just as often or more often associated with failed projects as successful ones.
What is a good storytelling is subjective, of course, but I think by almost anyone's measure, those who do it well do better than those who don't.
Maybe the values that are in the group's title mean the ones measured by $ signs. (And faith means "full faith and credit?")
I wonder if Dawn Treader wouldn't have done better if it actually had professed strong Christian themes. The original book did of course, but while I enjoyed the film, I thought it had been stripped of much of its power by the blunting of C.S. Lewis' Christian themes. This may have been in response to Prince Caspian under-performing, though it had clearer Christian messages (reliance on God vs. self, etc.)
It's not unusual to see some drop as a series goes along. The trick is to see it's not too severe, so you can maintain it over years and make billions, such as with Harry Potter or Pirates Of The Caribbeanand maybe the Twilight Saga. With some, such as Shrek or the recent Batman, you can even improve the gross as you go along. But Prince Caspian was a severe drop and put the entire series in question. I'm not really familiar with the films so it's hard to diagnose the trouble, but I have to guess the second and now the third Chronicles film just didn't offer the excitement and entertainment value of the first.
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