Take A Break
The slimmed-down Jonah Hill hosted SNL this week and did a decent job. According to David Sims at The AV Club, here are some highlights:
Hill as a wannabe samurai in J Pop America Fun Time Now was one of his few non straight-man roles of the evening, and while the sketch still works for me, I think I enjoyed Hill more because his lines were so intentionally garbled and he kept breaking, and less because of the material.
[.... Bill Hader's] Stefon cheered me up no end and provided half the notable quotes of the episode. For some reason, this never gets stale, perhaps because every time Hader does the character you’re just watching him to see when he breaks. This time, it was almost immediately—the first sign of trouble was when he referred to “that old Pakistani woman that looks like a California Raisin.” But obviously human Roombas really took the cake: “when you put a midget on a skateboard and it slides around on your floor eating garbage.” The midget joke always kills, even though you know it’s coming. “Eating garbage” was what got me (and, I think, Hader).
So Sims can't wait until the actors break up. He even notes he liked it despite the material.
As they say on Weekend Update, Really? If actors breaking character is so wonderful, then why bother to write funny or smart sketches? Why should the actors even try to say their lines when they know the audience just wants them to mess around? In fact, I wouldn't be surprised if this is already happening, and the cast members play up the live aspect by screwing up intentionally, or at least don't fight the urge to laugh.
If actors were really trying hard to do it right, and very rarely there'd be a mistake on air, it might be a memorable moment. But the last thing a critic should do is encourage it as a regular feature.
4 Comments:
I haven't watched last weekend's SNL yet, but I agree with you - it is annoying when actors regularly can't stay in character. Now, I think Hader's "Stefon" is designed to be a character that Hader can't play straight (pun intended). He doesn't have trouble with (imho) much funnier characterizations (like Vincent Price and the non-English speaking Spanish Interviewer). Personally, I speed through the "Stefon" bit every time it comes on.
The other recurring skit with designed break ups (it's painfully obvious), is the "scared straight" skit. In this one, Hader and Samberg inevitably break up at some point during one of Keenan Thompsons outrageous (but usually unfunny) tirades retelling a movie plot line.
It was interesting, the Sat. before last, they did this sketch with Lindsay Lohan. To his credit, Jason Sudekis never breaks character in this skit. I think he realizes that key to the comedy is the fact that he's the stoic police officer who lets the outrageous behavior go on too long. But this Saturday, at the end, he accidentally sat on some prop on his desk. Here you could see what a real break looks like (since it was clearly unexpected). Because it was real, it was funny, and it was memorable because Sudekis quickly got back into character and finished the skit.
It used to be considered an embarrassment when someone cracked up on the show, but for the last couple of decades there have been a series of sketches with people like Jimmy Fallon and Horatio Sanz and David Spade and Chris Kattan and Will Ferrell where it was expected that the actors would break. This does not do the Saturday Night Live tradition proud.
Well isn't it a factor of what the audience finds to be funny? I know the comedy elite look down their noses at the Three Stooges, Porky's and actors breaking character but it seems the hoi polloi actually seem to like it.
Typical coastal types imposing their cultural preferences.
Even if The Three Stooges and Porky's stink, at least they kept doing takes to make sure no one broke up. Breaking up is screwing up, and actors who intentionally make mistakes (and thus aren't even making mistakes) to take advantage of the live aspect of a show are the lowest.
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