The Scopes Monkey Trial
And Jesse ends our trip back in time a century ago, in the silent era.
https://jessewalker.blogspot.com/2025/12/the-year-of-ig-farben-we-have-covered.html
Here are his ten top films from 1925.
1. KIPHO
2. The Battleship Potemkin
3. The Freshman
4. Seven Chances
5. Variety
6. Strike
7. Jeux Des Reflets Et De La Vitesse
8. The Mystic
9. The Phantom Of The Opera
10. Go West
First, let me say it's impressive Jesse has a top ten list at all. It's not that easy to see ten silent films from any year, much less ten good ones.
KIPHO is a short I haven't seen. Same for Jeux Des Reflets.
The Battleship Potemkin is one of the most influential films in history, and it's pretty good, though overrated. Then there's Eisenstein's other major film, Strike. It was quite a year for him. He'd never match it. These might be his two best films.
My favorite films come from the great silent clowns, so my only complaint about The Freshman and Seven Chances is they're rated too low. And I'm glad Jesse had room for Go West, one of Keaton's weaker features, but still quite something.
Variety certainly deserves a spot.
Tod Browning was a pretty reliable director in the silent era, so I can see putting The Mystic on the list, but I'd have chosen The Unholy Three. Speaking of which, Lon Chaney--star of that film--was also pretty reliable. And his unmasking in The Phantom Of The Opera provides us with one of the most memorable moments from the whole era.
As good as this list is, there are some titles missing I wouldn't have been surprised to see. Of course, it's possible Jesse hasn't seen them yet.
There's The Big Parade, the biggest hit of the 1920s. It's a King Vidor epic that gives a ground level view of World War I--or the Great War, as they called it then.
Then there's the original Ben-Hur, another epic, another huge hit, another film that helped make fledgling studio MGM the biggest in Hollywood. I think I prefer it to the Charlton Heston version if only because it's an hour shorter.
Other films of note:
Erich von Stroheim's The Merry Widow, another hit that put MGM on the map.
Lubitsch's silent version of Oscar Wilde's Lady Windermere's Fan.
Douglas Fairbanks in Don Q, Son Of Zorro.
Mary Pickford in Little Annie Rooney.
Tearjerkers East Lynne and Stella Dallas.
The exciting sci-fi adventure The Lost World.
And now we come to the strangest thing of all, the omission of Charlie Chaplin. In 1925, he made what may be his masterpiece, The Gold Rush. It's not just the #1 film of the year, but one of the greatest of all time. And I know Jesse's seen it.
As for 1915, Jesse says his favorite film (not that he's seen too many) is Les Vampires. I don't know if he's turned off by The Birth Of A Nation, but I assume he's watched it.
For 1905 he likes El Hotel Electrico. For 1895 (the year many say film started--Workers Leaving The Lumiere Factory and all that), The Mechanical Butcher. In 1885, L'Homme Machine, if you want to call it a movie.
